A moderately interesting kidnapping mystery, presented in an incredible new visual style - with the latter overwhelming the former.
The visual style is what Sin City wanted to be but didn't quite achieve: live action in striking black-and-white - and I mean only black and only white, save for a slight use of flat single-tone gray and a tiny dash of color. All action was acquired with computerized motion-capture, down to the minute facial expressive details which The Polar Express, otherwise amazing, was derided for lacking. The captured motions then translated to detailed 3D graphics, in turn flattened to purely black and white. The result is amazing. The result is a live-action cartoon, a slick union of contradictory visual techniques.
The story, sorry to say, isn't as sharply stunning. In no way does the story lack, but neither does it triumph - serving more as a premise for applying the long desired and never achieved imagery.